OPERA

Since 2004 LIGHTMAP have been developing techniques for
integrating live and filmed moving images into opera performance using
a variety of emerging technologies.

LIGHTMAP explore ways to make video and film fluid and
spontaneous, so that the visual can follow the specific dynamic of
any live performance, following the conductor and the performers
with spontaneity and flexibility.

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'simply breathtaking' Independent

'bold and lively, contemporary and profoundly moving
...ingeniously enhanced by video projections' Guardian ****


'wonderful' Guardian

'startling and beautiful' Times ****

'a happy synergy of ear-opening singing and innovative video art'   Stage

'among the most imaginative practitioners of baroque opera
through a 21st century lens' Evening Standard

'startlingly original...bright, imaginative...fresh and fascinating'
The Guardian ****

   

Venus and Adonis
Transition
February 2009

Ten movable screens, multiprojectors,
live and pre-edited film

Acis and Galatea
Transition 2008

'eye' (cyclops) camera, live cameras,
pre-edited film, dual projectors

Acis and Galatea

Il Trionfo del Tempo e del Disinganno
Transition 2007

Live camera, pre-edited film, integrated translation

Il Trionfo del Tempo e del Disinganno
Il Trionfo del Tempo e del Disinganno

Orlando
Early Opera Company
June 2006

Pre-edited live mix film


Orlando
Orlando
Orlando
Flavio
Early Opera Company
May 2005

Twin projectors, pre-edited film and stills, twin screens
Flavio
   
Other: miscellaneous projects including live cameras,
hidden cameras, VJ softwares, mixers, stills, video,
super8, film, high 8 and animation.
 
   
   
   
   
   
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